The Angel of Luxury and Sadness (Vol. 1): The Emergence of the Normative Ennui Cycle


Dr. Ian Irvine Ph.D.

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...Similarly, references to the malady are rare in ancient Greek medicine and philosophy, though it was the Greeks who first articulated the problem of ‘melancholy’ (sometimes called the ‘black gall’ or the ‘spleen’). Early descriptions of this malady were coloured by the new scientific paradigms sweeping Greek society at the time. The older sacred accounts of mental and emotional dysfunctioning (ie. arising out of animistic, mythological and demonological systems) were under attack from the so-called humoral system, which had scientific pretensions. According to the humoral system, black bile was one of the body humors - specifically a body humor secreted by either the gall bladder or the spleen. The body humors, it was theorised, had to be in a state of balance for a person to be physically and mentally healthy. Melancholy resulted when the gall bladder or spleen secreted too much black bile. The ancient writings on this imbalance describe what early nineteenth century writers called the personality type of the ‘splenetic.’ 
     Though post-eighteenth century writers often borrowed elements of the ancient lore on ‘melancholy’ to round out their descriptions of chronic ennui, it is clear that the particular malady under discussion in this book (normative ennui) owes very little to the ancient literature on black melancholy. What is absent from classical Greek philosophical and medical descriptions of ‘black melancholy’ is reference to anything approaching the ennui cycle - the mainstay of modern descriptions of normative ennui. We also search classical texts in vain for any reference to the temporal symptoms associated with chronic ennui, ie. the long-lasting experience of time as a burden. There is also no reference to anything like sociocultural ennui.
     The lore of melancholy seems to have contributed more to modern descriptions of the creative and dysfunctional forms of ennui. For example, nineteenth century writers on creative ennui often adapted Aristotle’s arguments concerning the difference between the ‘melancholy’ of madmen and the melancholy of people of genius, as analysed in his Problemata Physica61 in order to distinguish between creative and dysfunctional forms of chronic ennui.
     Descriptions of states akin to chronic ennui are also all but absent from the literature of the ancient Greeks. Kuhn62 argues plausibly (though tentatively) that Sophocles’ Philoctetes is the first extended literary treatment of the ailment. In the play, however, Philoctetes’ suffering is attributed to snake bite and solitude.63 At best he could be diagnosed as a dysfunctional melancholic (therefore suffering from dysfunctional ennui). In modern terminology his symptoms, if read psychologically, seem commensurate with a state of chronic depression punctured by episodes of severe psychosis. These are, it is to be admitted, characteristics of the medieval and Early Modern ‘splenetic’ so often confused with the ennuyé.64 Apart from these similarities, however, there is again no clear description of anything approaching normative ennui, and certainly nothing like sociocultural ennui in the play.
     The researcher must look to the Roman world, particularly to the periods of the later Roman Republic and early Imperial Rome, for the first fully-fledged literary and philosophical descriptions of the forms of chronic ennui that haunt the Western world today. Not only do many modern commentators on the Roman world point to specific outbreaks of something like sociocultural ennui, but it is also evident that many of the people living through those periods were also aware that they were suffering from a certain kind of psycho-social malady different in kind from the maladies of the subject that the earlier Roman philosophers and the classical Greek philosophers had documented.65 Some of the most compelling descriptions of chronic ennui can be gleaned from the writers, poets, philosophers and dramatists of the above mentioned periods.

(I) Lucretius
     The Roman poet Lucretius, in his work On the Nature of Things (De Rerum Natura 60-55B.C.), speaks of the suffering caused by a psychospiritual malady similar to what is here termed chronic ennui. In a passage of striking poetic (and for the modern world ‘prophetic’) insight he says: 

You, who waste the major part of your life in sleep, and when you are awake, are snoring still and dreaming. You, who bear a mind hag-ridden by baseless fear and cannot find the commonest cause of your distress, hounded as you are, poor creature, by a pack of troubles and drifting in a drunken stupor upon a wavering tide of fantasy ... Men feel plainly enough within their minds, a heavy burden, whose weight depresses them. If only they perceived with equal clearness the causes of this depression, the origin of this lump of evil within their breasts, they would not lead such a life as we now see all too commonly - no one knowing what he really wants and everyone for ever trying to get away from where he is, as though mere locomotion would throw off the load. Often the owner of some stately mansion, bored stiff by staying at home, takes his departure, only to return as speedily when he feels himself no better off outdoors. Off he goes to his country seat, driving his carriage and pair hot-foot, as though in haste to save a house on fire. No sooner has he crossed its doorstep than he starts yawning or retires moodily to sleep and courts oblivion, or else rushes back to revisit the city. In so doing, the individual is really running away from himself. Since he remains reluctantly wedded to the self whom he cannot of course escape, he grows to hate him, because he is a sick man ignorant of the cause of his malady.66

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